“ Determining your future is not waiting for opportunities, but creating them.”
Bio
About The Author
Roderick C. Colebrook is from Nassau, Bahamas where he began writing songs, short stories and poetry. He wanted to write for popular genres of the day, but found that his writings created provocative discussions, which he enjoyed. He always wanted his writing to be considered artwork. In his mind, he wrote his words with a paint brush and each letter was an instrument in an orchestra. Through his writings, he wanted to provoke thought with imagery.
Colebrook is also a hotelier, public speaker and songwriter. He’s proud to be a member of the Toastmasters program and has attained Distinguished Toastmasters (DTM) status.
Roderick is married to Melissa, from Nassau, Bahamas and he has three children, Ashlee, Roderick Jr. and Amber.
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Client Testimonials
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CHANGED CHAINS
“The poem gave me reason to pause and reflect on the realities that shaped me. I was compelled to relive a truth that demands answers among them … The conflict between the reader and reality is evident and moves me from sadness to resolve. I was reader, audience, actor , playwrite , director and finally, armed with a clear perspective; an agent for change. Changed!”
CHANGED CHAINS
“Roderick has always marched to the beat of a different drum and now I understand why he felt bold enough to lead then and why he continues to lead now. In this powerful poetic story, Roderick describes our journey in such a way that you too will feel compelled to lead until the battle is won!“
CHANGED CHAINS
“The work creates a visualization that beautifully describes the slave as an instrument of economic value … From the opening line, one can see the gross injustice, the inhumanity, the imbalance in the value scales of those who traded humans for the purpose of profit.”
CHANGED CHAINS
Robert Arrington USA“Colebrook’s impactful vision is visceral in its harsh reality. He intentionally bypasses the usual intellectual-exercise-as-historical missive, and instead plunges into the ongoing crisis of modern-day subjugation and Jim Crow. As with Baldwin, Colebrook’s work ultimately arrives at the paradox of how to love a society that does not love him… his vivid language emerges into a place of optimism, however cautionary. His message is hopeful, evoking imagery of literal and figurative shackles that through the forge of extraordinary hardship and sheer will, have been re-cast into treasures. His work is steeped in the persistent memory that what we have been subjected to is not who we are. Exceptionally well done.”